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Garments you can make using this technology:

Features:

  • This is the  primary technique for sewing the “Princess” dresses.
  • The tutorials “Altering the Standard Pattern” and “The Pattern Constructor” explain how to prepare the pattern and to cut the dress with any style for any size! This knowledge removes the limits and makes this course universal for creating unlimited styles of wedding and evening gowns.
  • The technique of using different kinds of fabric explained in this course: dense fabric for the lining and the basis; soft lace which covers all of the dress; thin see-through net for removable skirt with the train; lace appliques for decoration.

Skills you gain:

  • How to cut and sew a corset-based dress “Princess” style with removable skirt with the train.
  • How to make the lacing that turns into hidden zipper for the skirt.
  • How to quilt a rounded corset bustier cup.
  • How to make a deep decollete (low neckline).

Where to use:

  • This technology is absolutely universal and has no limits in choosing and creating any style of wedding and evening dresses!

Author: Tatiana Kozorovitsky

Total length: 7h 01m

Tutorial 6. Working with the Mock-Up.

I have sewn the mock-up and put it on the dress-form. The only thing you should keep an eye on when putting it on the dress-form is the location of the side seams! The side seams should be strictly vertical: try to preserve the balance and put them exactly where they’re supposed to be.

There might be certain challenges if your dress-form is much bigger than the size of your mock-up. In that case all side seams will actually shift towards the front and the back won’t close. And this happens to be my case: the dress-form is larger than the client and, therefore, larger than the mock-up. That’s why the side seams have moved forward a little but I’ve still managed to locate them perfectly symmetrically and keep them vertical.

I stuff all hollows formed underneath the mock-up with regular padding polyester shoulder pads.

These kind of semi-finished shoulder pads always come in handy for this purpose. They are curved and they thicken gradually towards one side. They are lightweight and very easy to work with. I imitate my client’s body shape by pushing them under the mock-up.

If the back of the mock-up doesn’t close properly, make sure the open edges in the middle are parallel to one another.

Let me remind you why you need a mock-up to sum it all up.

The mock-up helps you check the shape of the chest, the cups and the neckline and determine how low the neckline can go. When you join the parts of the mock-up, you get to know the pattern and develop a better understanding of the way its notches match. It’s a priceless experience! It doesn’t take long to sew a simple cotton mock-up – you basically make a few vertical stitches – but a couple of minutes invested into it will make a great difference later. You will be able to double-check all dimensions and see whether you’ve calculated it correctly and hit your client’s measurements or not. By the way, when you take measurements off the mock-up, remember that the seam allowances of the central seam at the back are 2cm each so each circumference is actually 4cm smaller when the garment is sewn. You can check the clip measurement and determine whether the corners are in place and whether the side length is correct.

But most importantly the mock-up provides you with an opportunity to see how the soon-to-be dress will look on your client. And I suggest you should keep the mock-up on the dress-form until the garment is finished. You can refer to it at any time and shoulder pads do provide a great way to imitate a human body since they are soft enough and can be easily tightened.

I’m sure you will discover lots of other benefits of working with a mock-up!

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